Search results for "Film genre"
showing 4 items of 4 documents
Off-Modern Hybridity in TV Theatre: Theatrical, Cinematic and Media Temporalities in Rupert Goold’s Macbeth (BBC - Illuminations Media, 2010)
2021
Rupert Goold’s screen production of Macbeth – firstly, staged in 2007 and, later, filmed in 2010 – has been studied as an example of the stage-to-screen hybrid corpus of Shakespearean audio-visual adaptations. Thus, much of the critical emphasis on the production has been placed on its filmic qualities. Particularly, the genre film conventions deployed across the film has summoned the attention of Shakespeare on screen scholars and it has been the creators’ intentions to precisely point at Goold’s filmic intertextual repertoire. Given the recent increasing attention to the multiple media and languages employed in stage-to-screen hybrid Shakespearean adaptations and other exchanges between t…
Quentin Tarantino's Death Proof (2007): Subverting Gender through Genre or Vice Versa?
2010
International audience; The article examines how Death Proof (Tarantino, 2007) subverts both gender and genre by mixing several genres (the slasher, the car movie, the buddy movie) generally considered to be male, either at the diegetic level (e.g. the main characters) or at the level of reception (i.e. the target audience). The film's play on gender and genre, which is clearly based on the idea that film genres are gendered, is, then, enabled by the very discursivity of these norms. The article also shows how Tarantino took into account feminist film theory, namely Carol Clover and Laura Mulvey, when making Death Proof, suggesting that film genre, for Tarantino, is not so much a matter of …
Desire and its preternse: Analysis of Intersubjective relations in Frank Capra's It happened one night
2019
The following paper analyzes the plot of the 1934 film It Happened One Night, by Frank Capra, an authentic emblem within the film genre of romantic comedy. In it, the protagonists manage to overcome the obstacles that are offered in their way thanks to the pretense of a relationship, the marital one, which finally will end up becoming effective. Recalling a famous Lacanian sentence, according to which human beings “pretend to pretend”, the plot devised by Capra will be analyzed in order to go over the steps that sequence such pretenses. These give order to a process of maturity in which the characters will become what they represent, evidencing the sexual nature of the desire that had impel…
Genre-dependent effects of 3D film on presence, motion sickness, and protagonist perception
2016
Do the increasingly popular 3D movies change how we perceive the content of the movie? We presented short (3.21 min) film sequences to observers equipped with shutter glasses. Three genres (horror, action, and documentary) were crossed with three between-subjects viewing conditions (director’s 3D, artificial 3D, and 2D). Observers had to rate how the film impressed them in terms of arousal, motion sickness, presence, and immersion. They also judged the personality, attractiveness, and intelligence of the protagonist in all viewing conditions. Not surprisingly, horror films produced more arousal and presence than action films. Documentaries scored lowest on presence. Action movies produced t…